One Finger – Chromatic Descending
This shows the beginning of a descending chromatic sequence. This time, continue…
This shows the beginning of a descending chromatic sequence. This time, continue…
This shows the beginning of an ascending chromatic sequence on one string.…
Here Emily plays through the Yost shifting exercise without sounding out the…
Emily plays these shifts two ways – first clearly sounding out the…
Slowing the shifts down and practising with guide fingers helps develop security.…
“Practise sounding out your guide fingers. Release the pressure of the finger…
This one-string sequence from Carl Flesch’s Scale System is an excellent shifting…
Two-finger scales on one string are a useful way to practise sounding…
One-finger sequences are particularly good for practising the movement of the arm…
When we play a half-step (semitone) between the 3rd and 4th finger…
Notice how the natural fingerfall of the 4th finger is too sharp…
Notice how Justine stretches the 3rd finger from 3rd position up to…
“Sometimes we contract the hand when shifting downwards. Practise the finger interchange.”…
Notice how in shifting down to 3rd position Justine leaves her thumb…
The arm is generally comfortable with the elbow at a 6 o’clock…
When you shift to a new position, shift to the whole-hand frame*…
“Make sure that your elbow is free to move to the right…
“If we only played the broomstick, we would only need to use…
“Then practise keeping the bow moving but making the guide finger less…
“Our basic shift uses guide fingers. Practise Kreutzer Etude No.11. Shift on…
Notice how Fintan hovers above the note, just contacting the string with…
“Practise sounding out your guide fingers. Release the pressure of the finger…
When we shift, our guide finger can travel to either a note…
We usually use guide fingers in shifting to help us feel where…