Double-stops, three and four-note chords all pose challenges for the bow as well as for the left hand. From the string When the speed allows, …read more
Chords
Play Two Open Strings
If you want the two notes of a double-stop to have equal voice, the correct arm level will be the midpoint between the two strings. …read more
2 + 2 Chord Bowing
When playing three or four-note chords think about bow division. The bottom two notes need less bow, since they are played at the frog where …read more
Lead with the Hand
When there is an up-bow on the E or A-string before the chord, then it is usually best to play as shown here, with an …read more
Stable Point of Contact for Intonation
Poor use of point of contact and pressure can change the pitch of a note (see Fischers ‘Practice’, p.60). This is especially true with double-stops. …read more
Aim for Middle String
Bow on the middle string of a 3-note chord. Make sure the bowhair stays flat and there is no bowhand pressure. To check that the …read more
Chord Playing with Collé
Reform your bowhold in the air as you approach the string. An example of repeated down-bow chords in the repertoire is found in the ending …read more
Three-Note Chords Starting from String
When there is enough time try setting the bow on the string before playing the three-note chord. Let the bow settle on the two bottom …read more