Basic conducting patterns
2/4, 3/4, 4/4, 5/4, 6/4 Username Password Remember Me Forgot…
2/4, 3/4, 4/4, 5/4, 6/4 Username Password Remember Me Forgot…
Wronski’s down up, mixed rhythm/rebound action helps with articulation. It’s good for…
Wronski’s down up, mixed rhythm/rebound action helps with articulation. It’s good for…
In this study there are several diminished chords and many shifts so…
Put in a practice break before each double stop to make left…
This study is a wonderful study that develops rhythm, double-stop intonation and…
In ball games like tennis, our feet need to be in the…
Remember that the goal of all our practice is to engage our…
Splitting phrases between two players (two students or student and teacher) helps…
Put in a practice break before each double stop to make left…
When you apply a lot of friction, have a look to see…
Make sure when the bow changes from playing on one string to…
Always play with a feeling for the metric pulse. Take care in…
Always play with the metric pulse. In this study the 4th note…
In this study there are several diminished chords and many shifts so…
Practice for intonation with a drone on the pedal note. Kreutzer is…
After practicing each component in isolation, we need of course to put…
A stable bow contact will always assist the left hand. Here a…
When playing trills and turns we need to direct our fingers when…
Issues with rhythm and coordination can occur when we have a turn…
There are many ways to practice intonation but practicing with a clear…
All intonation needs to be practiced in context and there are various…
Now sound out the middle note of each group of three. Keep…
As the left hand shifts up into higher positions, the left arm…