// Pivot & whole-arm

Variation 22

This variation asks for a spiccato bowing and at tempo is best…

Variation 17

In variation 17 the sautillé is more complex than in variation 16.…

Variation 16

This variation uses sautillé with four bows per note, which allows time…

Variation 13

Ševčík indicates that we can play this variation either loudly at the…